Award: Award of the Baton Gules for Amary Fairamay Date: 12th Night 2020 Paper: 5×7″ on pergamenata Illumination: Gouache, Finetec gold Calligraphy: Iron gall ink, 1mm Brause nib Inspiration: MS M.52 fol. 478v
Recognizing her steady service to the scribal community of Nordskogen and beyond do we, Gabrield and Caoilfhionn, Lord and Lady of Nordskogen, bestow unto Amary Fairamay this Award of the Baton Gules. Jan 11 AS LIV.
Award: Award of Arms for Amary Fairamay Date: 12th Night 2019 Paper: 8×10″ on pergamenata Illumination: Gouache Calligraphy: Iron gall ink, .75mm Brause nib Inspiration: Example 1, Example 2, Example 3
To our faithful subjects, from Siegfried and Gwyneth, Stellar Majesties Northshield, greetings. Know ye that we are grateful for the generous service our loyal subject Amary Fairamay has contributed to the Canton of Nordleigh in serving as Minister of Arts and Sciences, but especially in the provision of comestibles and conveyances. For this, as well as her prolific knitting and period appearance, do we now award her arms, conferring unto her all the honors, privileges, and responsibilities inherent thereunto. In witness thereof we set our hands this 21st of October, anno societatis XLI at the Northshield Rapier Academy in our fair Canton of Nordleigh.
To all present and to come who these letters shall see or hear, Their Draconic Majesties, Felix and Madeleina, Rightful Sovereigns of the Middle Kingdom, send health and greetings.
Equity wills and reason ordains that those of a valiant and virtuous nature be had in a perpetual memory, not only in their persons in this mortal life, so brief and transitory, but also in their good name and fame, to be of noble memory and in all places of honor ever more reveranced, and to be recommended for showing of certain signs and tokens of honor and gentleness so that by their examples other persons may the sooner and the more often apply themselves to spend their lives in honorable works and virtuous deeds.
Of which persons one in especial whose name is Tom Tinntinnabulum have we verily ascertained, not only by common renown, but by our own knowledge also, and by the report of the noble members of our honorable Order of Chivalry, has long continued in virtue and in all his acts has gladly and honorably guided and governed himself, so that he now deserves and is right worthy to be entered in the aforesaid order.
For remembrance and consideration of his gentleness, virtues, & ability, by the authority and power of our office, we, Felix and Madeleina, do of our especial grace and certain wisdom, recognize Tom Tinntinnabulum as a Knight of the Society for Creative Anachronism, to be in all places numbered a Peer of Our Realm and a member of the Order of Chivalry, with all rights, privileges, insignia, precedence, and responsibilities thereto appertaining.
In witness whereof to these letters we have set our seal and signed this 5th day of September in the 39th year of our Society, at Havok in Hastings in our fair Barony of Andelcrag.
Award: Order of Brigit’s Flame for Rachell Baker Date: February 24, 2018 (AS LII) at Lupercalia Paper: 8″x10″ Bristol Illumination: Gouache, Finetec gold, Micron pen Calligraphy: Noodler’s Borealis Black, 1mm Brause nib Inspiration: Bedford Psalter and Hours f.161v
Of her excellence in the arts of embroidery and costuming, and of her efforts in broadening the knowledge of our populace thereof, have we, Kaydian and Cassandra, King and Queen of Northshield, heard much, and thus are we minded to induct Rachell Baker this day, the 24th of February AS 52, into our Order of the Brigit’s Flame.
I had this sketched up on Bristol waiting for an assignment, and this was the perfect chance to use it. I tend to work on pergamenata more often nowadays, but Bristol is still perfectly fine. The original pages were a different dimension and a bit bigger, so the proportions don’t match exactly, but I’m overall happy with it.
Painting whitework continues to be a learning process. So much depends on the consistency of the paint, which seems to change constantly as I paint, so I’m continually having to get it back to the perfect whitework thin-but-not-too-thin.
I still use a Micron pen for illumination outlines. For this one, I tried a new way: pencil outlines, paint flat colors and shading, outline, whitework. I was happy with how it came out. Normally I outline in pen and erase all the pencil before I paint, but this works too. I want to experiment in the future with using a dip pen for outlines both under and over the paint.
And I really need to build calligraphy practice into my routine. It’s better than it was, but not as even as I’d like. I also need to get some nibs of different sizes to play around with. I use a 1.0mm Brause nib for everything, but I suspect branching out will help me match the proportions of the exemplars more closely.
Award: Court Barony for Keviliock McKinley (Master Cy) Date: Awarded September 9, 207 (AS LII) – scroll presented January 2018 at 12th Night Paper: 8″x10″ Pergamenata 85 lb. in “Natural” color Illumination: Gouache, Finetec gold Calligraphy: Noodler’s Borealis Black, 1mm Brause nib Inspiration: Hours of Joanna I of Castile f224r
Let all Northshield know that we, Kaydian and Cassandra, do find Keviliock McKinley to be of such quality, having served the crown with his leadership in the scribal and rapier communities both with such excellence and dedication, that we are now minded to make him a Baron of our court. Done this ninth day of September at our coronation in the Shire of Shattered Oak.
I was honored to be asked to do this scroll. Master Cy is our kingdom signet, and so I wanted to do something special. His only request was that it incorporate his baronial coronet by Countess Gwen. He has a late period persona, so after poking around a bit, I settled on this exemplar.
The calligraphy is more inspired-by than a direct copy. At some point I’ll figure out the magic of matching nib size to line height, but so far I have been more interested in the illumination side of things. And never mind the slight typo in the wording!
This was lots of fun to paint. So much shading, and so many pearls. It was a challenge to match that goldy-yellow base color. It was brighter than straight yellow ochre, so I think it ended up being yellow ochre, cadmium yellow, and a touch of cadmium red. The Finetec gold did not want to behave like the exemplar gold, but I think I got closeish. I also need to figure out how to paint straight lines.
All in all, I’m pretty happy with it. This was a new style to me, and I look forward to doing more realistic painting in the future.